Stop the “Objection” Drama: Churches and film producers must apply Ghana’s marriage caveat law properly

The Akans in Ghana have a saying: “If an article is not properly placed in its rightful position, it will surely fall off and get lost.” That is why it is always right to apply what we learn properly.

Marriage is a critical institution in human society. It is also widely regarded as one of the few institutions ordained by God Himself, beginning with the creation of Eve as a perfect companion for Adam.

In Ghana, there are three main types of marriage: customary marriage, Mohammedan (Islamic) marriage, and ordinance marriage.

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2025 AFCON: African football’s biggest commercial success

The 2025 TotalEnergies Africa Cup of Nations (AFCON) will be remembered not only for its footballing spectacle but for its emergence as the most commercially successful tournament in African football history.

The tournament’s defining image remains the dramatic night in Rabat, where Senegal stunned hosts Morocco 1-0 in a final filled with tension, controversy and raw emotion. 

Yet, beyond the chaos of that unforgettable night, AFCON 2025 quietly redefined the business potential of African football, particularly the flagship AFCON tournament.

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GTA targets faith-based tourists with Christian concerts

THE Ghana Tourism Authority (GTA) has announced moves to expand the country’s tourism calendar beyond the usual December festivities and open its doors for faith-based tourism through Christian concerts and major religious events.

This move, announced by GTA Deputy CEO Abeiku Santana Aggrey at the launch of this year’s Awake Experience concert, seeks to position Ghana as a key destination for Christian tourists from across the globe.

He says the GTA is hopeful the move could have far-reaching effects for the country’s tourism industry.

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TikTok seals deal for new US joint venture to avoid American ban

TikTok’s Chinese owner, ByteDance, on Thursday said it has finalized a deal to establish a majority American-owned joint venture that will secure U.S. data, to avoid a U.S. ban on the short video app used by over 200 million Americans.

The deal is a milestone for the social media firm after years of battles that began in August 2020 when President Donald Trump tried to ban the app over national security concerns.

Trump later opted not to enforce a law passed in April 2024 requiring ByteDance to sell its U.S. assets by the following January or face a ban – a measure upheld by the Supreme Court.

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Yaw Sarpong: A legend goes home

Ghana’s music community is in mourning following the passing of legendary gospel musician Yaw Sarpong on Tuesday, January 20, 2026.

His departure marks the end of a remarkable journey and the loss of one of the most influential voices in the country’s gospel music history.

For nearly five decades, Yaw Sarpong stood as a towering figure in Ghana’s gospel music space. With his unmistakable voice and deeply spiritual delivery, he gifted the nation timeless songs such as Wo Haw Ne Sen, Awurade Kasa and Tie Obiaa.

 These songs did more than entertain; they ministered, comforted and inspired generations of listeners.

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Ground Up lawyer disputes Kwesi Arthur’s claims, reveals earnings from past works

A lawyer for Ground Up Chale, Kwesi Arthur’s former management company, has rejected claims by the artiste that he earned nothing from his works during his time with the label.

Jonathan K. Amable, counsel for Ground Up Chale, described the claims as false during a Joy FM X Spaces conversation hosted by Kwame Dadzie on Thursday, 22 January 2026.

Backing his position, the lawyer read portions of email correspondence between the parties which, he said, showed that Kwesi Arthur had received royalties from his music.

“In that email Glen details payments that had been made to Kwesi which he never disputed. It says ‘to date, you have benefited from £91,370 in royalty disbursements,” he said.

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Obrafour: I’m embarrassed when Sarkodie kneels before me

Ghanaian rap icon Obrafour has expressed feelings of embarrassment when Sarkodie publicly prostrates to greet him, in recognition of his influence and contributions to the music industry.

In a TikTok vide sighted by Graphic Showbiz, Obrafour said he feels uneasy when Sarkodie shows him public respect, like kneeling, wondering if he deserves it.

Obrafour, a pivotal figure in Sarkodie’s early career, acknowledged the respect but acknowledged that God has been the source of the positive energy he enjoys and sometimes feels it will be more fitting to direct such reverence towards God instead of himself.

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Is TGMA Losing the Plot?

In Ghana’s music scene today, success is measured in screenshots. A million streams here, a viral TikTok clip there, a chart position posted with fire emojis and shouting captions.

Numbers have become the loudest voice in the room, and anyone without them is quietly assumed to be losing.

As the Telecel Ghana Music Awards (TGMA) nominations loom, one uncomfortable question keeps surfacing: has TGMA, in chasing digital noise, lost sight of its purpose?

Let’s give credit where it’s due. For 26 years, TGMA has been a cornerstone of Ghanaian music, positioning artistes for local recognition and global impact. Yes, it has survived its fair share of controversies, from fiery debates to dramatic bans, yet its role in shaping careers and setting industry standards remains undeniable.

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98% of lands can’t be registered in Ghana – Owners at risk in disputes

Over 98 per cent of land in the country cannot be registered with a title. The situation makes it extremely difficult for purchasers to properly secure such lands, leaving them vulnerable in land disputes.

A Justice of the Court of Appeal, Justice Alexander Osei -Tutu, who made the assertion, explained that only the Greater Accra Region, some parts of Kumasi,  Kasoa and its environs had been declared as registration districts, with the rest of the country not having that status.

He described the situation as unfair and a major factor in the incessant land disputes across the country.

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Shatta Wale sues Blakk Rasta for defamation, demanding GH¢100million damages

Renowned dancehall Ghanaian musician, Charles Nii Armah Mensah, popularly known as Shatta Wale, had sued social commentator Abubakar Ahmed, also known as Blakk Rasta, for alleged defamation.

The suit, filed on January 15, 2026 follows a video publication by Blakk Rasta on December 15, 2025, titled “Shatta Wale, Self-Confessed King of Fraud.”

In his statement of claim, Shatta Wale contends that statements made in the video were false, malicious and calculated to damage his reputation as a public figure and award-winning musician.

According to Shatta Wale, Blakk Rasta made comments in the video which portrayed him as dishonest, morally reprehensible and involved in fraudulent activities.

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